AI TOOLS LAB / MUSIC
AI 음악 랩가사에서 한 곡으로.
영어로 쓰고, AI로 만든 15곡.
서로 다른 장르의 음악과 그 안의 이야기를 들어보세요.
한 곡의 제작 기록
Borrowed Moonlight — 입력과 완성 파일 연결하기
해안의 밤길을 자전거로 달리는 영어 가사에 인디 팝·드림 팝 편곡을 요청한 곡입니다. 아래는 저장소에 보관된 생성 입력과 공개된 원음을 연결해 다시 확인한 기록입니다.
- 모델·설정 기록
- YuE 2 · 8-bit · seed 831279 · 32 steps · CFG 1
- 요청한 음악
- 162 BPM · B-flat major · 기타 아르페지오 중심, 절과 후렴의 밀도 차이
- 이번 파일 확인
- 2026-10-14 · 7,633,965 bytes · 190.799초 · MP3 48000 Hz · 2채널
템포·조성은 입력값입니다. 실제 음원의 템포·조성을 측정했다는 뜻은 아닙니다. 파일 크기·길이·형식은 공개 음원을 받아 도구로 확인했습니다.
처음 요청한 것과 다음에 바꿔볼 것
- 보관된 원본 입력: 기타 아르페지오를 유지하고, 절은 얇게, 후렴은 패드와 화음으로 넓히도록 요청했습니다. 영어 가사와 ABC 악보 입력도 함께 남아 있습니다.
- 다음 제작용 수정안: 긴 리버브·딜레이가 가사를 덮지 않도록 문장 사이에 배치하는 지시를 더 명확히 했습니다.
- 구분할 점: 수정안은 현재 음원에 적용하지 않았습니다. 가사가 더 명료해졌다는 청취 결과나 원음 대비 개선 효과를 주장하지 않습니다.
이번에 관측하고 보완한 부분
기존 화면은 다음 제작용 개선 프롬프트가 중심이라 지금 듣는 곡의 입력을 직접 대조하기 어려웠습니다. 저장된 스타일·가사·ABC·생성 설정을 하나의 기록으로 묶고, 공개 MP3의 SHA-256이 저장된 값과 같은지 확인했습니다. 파일 전체 디코딩에서도 오류가 나오지 않았습니다.
현재 작업 폴더에는 원래 생성 실행 폴더가 없습니다. 따라서 아래 입력 파일은 저장소 메타데이터에서 복원한 내용입니다. 원본 요청 JSON 전체를 복구하거나 같은 음원을 재생성한 기록은 아닙니다. 끝 공백이 정리된 텍스트의 해시와 원본 파일 해시는 구분해 제공합니다.
보관된 생성 입력·설정 확인하기
스타일 입력
Global Metadata
Basic Attributes: Indie Pop / Dream Pop, 162 BPM, B-flat major, with a fluid melodic surface over a steady four-on-the-floor pulse.
Global Emotional Progression: Mysterious sparse longing expands into euphoric, full-harmony choruses. An introspective bridge briefly stills the atmosphere before the powerful final climax and a lingering deconstructed fade.
Application Scenarios & Imagery: Moonlit coastal movement and celestial reflections on water, balancing private devotion with a wide, luminous sense of freedom.
Sonics & Production Profile: Polished spacious stereo with significant delay depth, airy cymbal and synth highs and a tight controlled low end. Individual instruments retain breathing room in verses while refrains form a cohesive shimmering wall.
Vocal Details
Vocal Gender & Timbre: Female clear ethereal soprano, breathy in lower phrases and resonant and soaring above them.
Vocal Style: Soft intimate verses use subtle vibrato and controlled dynamics. Chorus delivery becomes sustained, strongly projected and anthemic, expressing surrender and devotion. The bridge adopts a spoken-like melodic cadence before the final soaring refrain.
Harmony/Backing Vocals: Self-harmony stacks in parallel thirds and sixths broaden choruses into a lush choral texture. Add faint distant backing traces in intro and outro for atmospheric depth.
Vocal FX: Generous plate and hall reverb. Selective short slapback delays color verse phrase endings; longer washed-out tails fill choruses. Light compression retains expression while controlling the vocal range.
Arrangement
Instrument Lifecycle: Chorus-treated clean electric-guitar arpeggios carry the harmonic and melodic center continuously from intro to outro. Warm analog-style pads enter subtly in verse one and swell strongly through choruses. Rounded synth bass joins in the first verse, locking to the kick thereafter.
Groove & Foundation: A steady four-on-the-floor kick and snare on two and four anchor the track. Restrained closed-hat verses expand into open hats and crashes in refrains. Reduce the bridge to kick and soft shaker, then restore the driving full rhythm for the finale.
Embellishments, Textures & Spatial FX: Atmospheric synth swells and reverse cymbals mark chorus transitions. A high shimmering synth texture appears in the bridge. Gradually dismantle the outro until only reverberant guitar and fading vocal echoes remain.
Vocal Language: English only. All intelligible lead, backing, choir, and rap lyrics must be in English. Non-lexical humming or vowel singing is permitted only where specified above.생성 버전
모델 revision: fe0a9050fd658257b486b880422d8872ee1f81e3 · CoT: full
가사와 ABC 전체는 아래 입력 기록에서 확인할 수 있습니다.
다시 검수하는 순서
- 현재 음원과 생성 입력 기록을 나란히 확인합니다.
- 다음 생성에서는 가사·ABC·모델 설정을 고정하고 스타일 지시만 바꿉니다.
- 원음과 새 음원에서 같은 가사 구간을 찾아 발음·잔향·후렴 대비를 따로 기록합니다.
- 새 음원을 실제로 만든 뒤 파일과 관측 결과를 추가합니다. 아직은 원음 1개와 미적용 수정안만 있습니다.
보관된 생성 입력·설정 내려받기 · 실제 파일 검사 결과 내려받기 · 재현 범위·검수 안내 내려받기
이번에 확인한 공개 원음 열기 (새 탭) · 곡의 가사·미적용 수정안으로 이동 ↓
확인 범위: 파일 일치·기술적 디코딩. 가사 전사 정확도, 청취 선호도, 다른 모델·기기에서의 재현성은 이번에 평가하지 않았습니다.
트랙 리스트
15곡
곡마다 다음 제작용 개선 프롬프트를 제공합니다. 펼쳐서 영어 가사까지 한 번에 복사해보세요. 장르·템포·조성은 제작 시 입력한 설정입니다.
록
The Night I Gave the Key Back
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 기타·베이스·오르간의 진입 순서를 핵심 지시로 압축했습니다.
- 긴 리버브와 보컬 명료도가 충돌하지 않도록 문장 끝에만 딜레이를 배치했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: The Night I Gave the Key Back. Genre: Blues Rock / Soul Ballad. Tempo: 58 BPM. Key: G minor. Lead: One smoky male baritone. Keep verses close and conversational; use a stronger sustained chorus without shouting. Low chorus harmonies may support the lead in thirds or octaves. Arrangement: Clean electric-guitar arpeggios and short blues fills carry the song. Bring in round finger-style bass and a restrained kit after the opening. Introduce Hammond organ at the first chorus; add only mild guitar overdrive there. Put blues bends and slides in the written instrumental section, not over sung lines. Groove: Unhurried and laid-back at the stated tempo. Use soft kick, brushed hats and rim-click-like verse snare; move to snare sticks and ride cymbal in choruses without speeding up. Space and ending: Warm mids, centered voice and bass, guitars slightly wider. Use audible but controlled plate ambience and selective phrase-ending delay. Let guitar and organ withdraw around the final English lines, then leave a brief natural decay. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Intro] [Verse] Rain runs down the window pane My coat remembers where you stood I almost call your name again As if a name could do some good The room is quiet, the hallway bare I reach for something not still there [Chorus] My empty hand still knows your key The little weight it used to keep I gave it back, but part of me Still turns that lock before I sleep [Verse] The corner light goes blue and gold A bus moves slowly through the rain I let the coffee settle cold And leave your number in its place No angry word, no closing scene Just all the space there is between [Chorus] My empty hand still knows your key The little weight it used to keep I gave it back, but part of me Still turns that lock before I sleep [Instrumental] [Chorus] My empty hand still knows your key The little weight it used to keep I gave it back, but part of me Still turns that lock before I sleep [Outro] I turn the hallway light down low And wait for what I ought to know
영어 가사 · 제작 메모
돌려준 열쇠와 빈손에 남은 기억을 노래하는 블루스 록 발라드.
- 입력 템포
- 58 BPM
- 입력 조성
- G minor
아래는 제작에 사용한 가사입니다.
[Intro] [Verse] Rain runs down the window pane My coat remembers where you stood I almost call your name again As if a name could do some good The room is quiet, the hallway bare I reach for something not still there [Chorus] My empty hand still knows your key The little weight it used to keep I gave it back, but part of me Still turns that lock before I sleep [Verse] The corner light goes blue and gold A bus moves slowly through the rain I let the coffee settle cold And leave your number in its place No angry word, no closing scene Just all the space there is between [Chorus] My empty hand still knows your key The little weight it used to keep I gave it back, but part of me Still turns that lock before I sleep [Instrumental] [Chorus] My empty hand still knows your key The little weight it used to keep I gave it back, but part of me Still turns that lock before I sleep [Outro] I turn the hallway light down low And wait for what I ought to know
팝 · R&B
Beyond the Glass
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 피아노 중심 편성과 현악·드럼의 진입 시점을 명확히 했습니다.
- 마지막 후렴에만 큰 오케스트라 효과를 모아 구간 대비를 만들도록 정리했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: Beyond the Glass. Genre: C-Pop / Orchestral Pop Ballad. Tempo: 70 BPM. Key: B-flat major. Lead: One clear female soprano. Begin with restrained, lightly breathy storytelling and grow into resonant sustained chorus notes. Use controlled vibrato; supporting self-harmonies in thirds and sixths must stay below the lead. Arrangement: Start with grand piano and a quiet atmospheric pad. Keep piano present throughout. Introduce violins, violas and cellos at the pre-chorus and broaden them at the chorus. Add rounded electric bass with the established groove. Reserve orchestral hits and timpani reinforcement for the final chorus. Groove: No drums in the opening. Bring soft brushed percussion into the first verse, then acoustic kick, snare on two and four, and open hats at the first chorus. Remove bridge drums briefly and restore the groove with compact tom fills. Space and ending: Intimate verses, wide orchestral choruses, an intelligible central melody. Reduce competing strings under important words. Use short plate ambience and selective chorus delay rather than a continuous wash. Release the final peak into reflective piano and string decay. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] My fingerprints cloud the window Where yesterday still shines A ribbon sleeps around the silver That used to tell me I was fine [Pre-Chorus] But these hands have learned to tremble And still reach for the light [Chorus] There is more of me than silver behind glass More than the finish line I passed Let the room remember who I was I am walking out at last [Verse 2] I kept my shoes beside the doorway Too afraid to wear them through Now morning falls across the laces And the street is something new [Pre-Chorus] I can carry what it taught me Without carrying the frame [Chorus] There is more of me than silver behind glass More than the finish line I passed Let the room remember who I was I am walking out at last [Bridge] No crowd to call my name No clock to make me stay I turn the key with shaking hands And choose an ordinary day [Chorus] There is more of me than silver behind glass More than the finish line I passed Let the room remember who I was I am walking out at last [Outro] The medal catches morning I let the sunlight pass
영어 가사 · 제작 메모
유리 안의 메달을 뒤로하고 평범한 하루를 선택하는 오케스트라 팝 발라드.
- 입력 템포
- 70 BPM
- 입력 조성
- B-flat major
아래는 제작에 사용한 가사입니다.
[Verse 1] My fingerprints cloud the window Where yesterday still shines A ribbon sleeps around the silver That used to tell me I was fine [Pre-Chorus] But these hands have learned to tremble And still reach for the light [Chorus] There is more of me than silver behind glass More than the finish line I passed Let the room remember who I was I am walking out at last [Verse 2] I kept my shoes beside the doorway Too afraid to wear them through Now morning falls across the laces And the street is something new [Pre-Chorus] I can carry what it taught me Without carrying the frame [Chorus] There is more of me than silver behind glass More than the finish line I passed Let the room remember who I was I am walking out at last [Bridge] No crowd to call my name No clock to make me stay I turn the key with shaking hands And choose an ordinary day [Chorus] There is more of me than silver behind glass More than the finish line I passed Let the room remember who I was I am walking out at last [Outro] The medal catches morning I let the sunlight pass
포크 · 컨트리
Three Moves, One Table
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 내러티브 보컬과 컨트리 악기 역할을 우선순위로 정리했습니다.
- 현악은 마지막 후렴으로 제한하고 슬라이드 기타는 보컬 사이에 배치했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: Three Moves, One Table. Genre: Country / Americana. Tempo: 78 BPM. Key: G major. Lead: One mature, slightly gravelly male baritone with clear English storytelling. Keep verses measured and sincere; let choruses become more declarative without losing warmth. Add close third-and-fifth harmonies only in choruses. Arrangement: Keep clean twangy electric guitar present from opening to ending. Add acoustic strumming and rounded bass in verse one. Let Hammond organ support the background and swell gently in choruses. Use slide-guitar replies between vocal phrases. Save subtle string swells for the final chorus. Groove: A relaxed drum-kit pulse begins immediately. Use brushed verse snare; give choruses a fuller backbeat on two and four, slightly opened hats and faint tambourine. Keep the same laid-back tempo through every section. Space and ending: Give voice, acoustic strums and guitar fills distinct space. Use modest compression and restrained plate reverb; avoid a glossy electronic wall. Withdraw strings and organ after the last refrain and finish on a warm ensemble chord with natural room decay. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] We set it down in a rented room With one good chair and a borrowed broom You marked our height along the door I scraped the paint across the floor That table leaned against my knee Through bills and rain and cups of tea We had no room for anything grand But room enough for your small hand [Chorus] We changed the address, not the place we share Pulled up our lives in the same old chairs Three moves, one table, a light left on Whatever we lost, we brought this along [Verse 2] The second house took water in We packed the plates before the wind You took the legs, I took the top And neither of us said to stop Now evening fills a smaller place The grain still holds a darker trace A pencil groove, a coffee ring The little scars of everything [Chorus] We changed the address, not the place we share Pulled up our lives in the same old chairs Three moves, one table, a light left on Whatever we lost, we brought this along [Bridge] No deed could name what makes a home No shining floor could hold us close I leave your place beside my own And pass the bread before it goes [Chorus] We changed the address, not the place we share Pulled up our lives in the same old chairs Three moves, one table, a light left on Whatever we lost, we brought this along [Outro] The kettle settles, the day is through I set another cup for you
영어 가사 · 제작 메모
이사를 거듭해도 함께하는 식탁의 기억을 담은 컨트리 이야기.
- 입력 템포
- 78 BPM
- 입력 조성
- G major
아래는 제작에 사용한 가사입니다.
[Verse 1] We set it down in a rented room With one good chair and a borrowed broom You marked our height along the door I scraped the paint across the floor That table leaned against my knee Through bills and rain and cups of tea We had no room for anything grand But room enough for your small hand [Chorus] We changed the address, not the place we share Pulled up our lives in the same old chairs Three moves, one table, a light left on Whatever we lost, we brought this along [Verse 2] The second house took water in We packed the plates before the wind You took the legs, I took the top And neither of us said to stop Now evening fills a smaller place The grain still holds a darker trace A pencil groove, a coffee ring The little scars of everything [Chorus] We changed the address, not the place we share Pulled up our lives in the same old chairs Three moves, one table, a light left on Whatever we lost, we brought this along [Bridge] No deed could name what makes a home No shining floor could hold us close I leave your place beside my own And pass the bread before it goes [Chorus] We changed the address, not the place we share Pulled up our lives in the same old chairs Three moves, one table, a light left on Whatever we lost, we brought this along [Outro] The kettle settles, the day is through I set another cup for you
록
The Bus That Brought Us Home
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 브리지에서도 템포와 추진력을 유지하도록 지시를 분명히 했습니다.
- 보컬 자음을 가리지 않는 기타 배치와 마지막 합주 마무리를 구체화했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: The Bus That Brought Us Home. Genre: Arena Rock / Modern Hard Rock. Tempo: 125 BPM. Key: D major. Lead: One gritty but melodic male tenor. Use precise rhythmic narration in verses and confident sustained chorus hooks. Gang-style thirds and octave doubles support the choruses, never replace the lead. Arrangement: Begin with wide distorted power-chord riffs, electric bass and a full rock kit. Keep the guitar hook and bass active throughout. Allow a clean guitar counterline in verse gaps. Use discreet pads only to change the bridge texture, then restore the full guitar ensemble for the last refrain. Groove: Driving four-on-the-floor kick with a sharp snare on two and four. Closed hats in verses; open hats and stronger crashes in choruses. Keep the bridge moving at the same tempo; do not introduce a slow ballad interlude. Space and ending: Keep guitar mids forceful but leave a clear slot for English consonants. Center kick, bass and lead; widen rhythm guitars and backing vocals. Use compact fills and moderate plate ambience. Add final-chorus handclaps sparingly, then make one coordinated last-band accent and let it ring out. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] The floodlights fade behind the gate We climb aboard, already late Your boots leave mud along the aisle Nobody talks for half a mile Then someone laughs and we let go Of every night that ended low [Chorus] We carried one win through the midnight miles Mud on our knees and a crooked smile We did not get here on our own This is the bus that brought us home [Verse 2] The keeper sleeps against the glass The youngest holds the folded map Our driver knows the road by heart He brought us here before the start A hand goes up from every row For all the ones who could not go [Chorus] We carried one win through the midnight miles Mud on our knees and a crooked smile We did not get here on our own This is the bus that brought us home [Bridge] Keep the engine running Keep the window bright We have room for every shoulder That helped us through the night [Chorus] We carried one win through the midnight miles Mud on our knees and a crooked smile We did not get here on our own This is the bus that brought us home [Outro] One win, a thousand mornings And a road that leads us home
영어 가사 · 제작 메모
집으로 돌아오는 버스와 다시 만나는 사람들을 위한 아레나 록.
- 입력 템포
- 125 BPM
- 입력 조성
- D major
아래는 제작에 사용한 가사입니다.
[Verse 1] The floodlights fade behind the gate We climb aboard, already late Your boots leave mud along the aisle Nobody talks for half a mile Then someone laughs and we let go Of every night that ended low [Chorus] We carried one win through the midnight miles Mud on our knees and a crooked smile We did not get here on our own This is the bus that brought us home [Verse 2] The keeper sleeps against the glass The youngest holds the folded map Our driver knows the road by heart He brought us here before the start A hand goes up from every row For all the ones who could not go [Chorus] We carried one win through the midnight miles Mud on our knees and a crooked smile We did not get here on our own This is the bus that brought us home [Bridge] Keep the engine running Keep the window bright We have room for every shoulder That helped us through the night [Chorus] We carried one win through the midnight miles Mud on our knees and a crooked smile We did not get here on our own This is the bus that brought us home [Outro] One win, a thousand mornings And a road that leads us home
재즈
A Date I Do Not Know
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 스윙 리듬과 후렴의 긴 베이스 음을 함께 명시했습니다.
- 목관 응답은 보컬 사이로 제한하고 리버브가 호흡과 가사를 덮지 않도록 했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: A Date I Do Not Know. Genre: Jazz Noir / Cinematic Ballad. Tempo: 78 BPM. Key: G minor. Lead: One smoky female alto, close and intimate. Phrase slightly behind the swing pulse with clear English diction. Grow from near-whispered verses to resonant choruses using restrained vibrato. Breathy harmony doubles remain quiet and limited to choruses and bridge. Arrangement: Open with piano and broad bowed strings. Keep upright bass present: walking verse lines, longer roots in choruses. Piano moves from sparse impressionistic chords to fuller chorus comping. Bring brushed drums in shortly after the first verse. Use brief clarinet-like or saxophone-like answers only between sung phrases. Groove: Gentle swing, spacious brushes and relaxed bass articulation. Add a clearer ride-cymbal pattern in choruses while simplifying the bass notes; do not turn the song into a straight dance beat. Space and ending: Warm acoustic mids and smooth highs, voice centered and strings wider. Use plate reverb with a restrained tail so breath and words remain audible. Let string swells mark transitions rather than fill every gap. Gradually thin the ensemble into a contemplative fade. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] The photograph is warm with lamplight Your sleeve is caught beneath my thumb A summer street behind your shoulder A year I thought had never come [Chorus] Your handwriting knows a day I cannot place A number on the back A shadow on your face I hold it to the light But nothing comes clear A moment I remember In an unfamiliar year [Verse 2] I turn it over on the table The ink still leans the way you wrote The coffee cools beside the silence A small unfinished question floats [Chorus] Your handwriting knows a day I cannot place A number on the back A shadow on your face I hold it to the light But nothing comes clear A moment I remember In an unfamiliar year [Bridge] Maybe there are rooms in memory That open only from inside I leave the picture near the doorway And let the evening take its time [Chorus] Your handwriting knows a day I cannot place A number on the back A shadow on your face I hold it to the light But nothing comes clear A moment I remember In an unfamiliar year [Outro] The rain has blurred the window The ink is holding on
영어 가사 · 제작 메모
알 수 없는 날짜와 기다림을 재즈 누아르 분위기로 그린 발라드.
- 입력 템포
- 78 BPM
- 입력 조성
- G minor
아래는 제작에 사용한 가사입니다.
[Verse 1] The photograph is warm with lamplight Your sleeve is caught beneath my thumb A summer street behind your shoulder A year I thought had never come [Chorus] Your handwriting knows a day I cannot place A number on the back A shadow on your face I hold it to the light But nothing comes clear A moment I remember In an unfamiliar year [Verse 2] I turn it over on the table The ink still leans the way you wrote The coffee cools beside the silence A small unfinished question floats [Chorus] Your handwriting knows a day I cannot place A number on the back A shadow on your face I hold it to the light But nothing comes clear A moment I remember In an unfamiliar year [Bridge] Maybe there are rooms in memory That open only from inside I leave the picture near the doorway And let the evening take its time [Chorus] Your handwriting knows a day I cannot place A number on the back A shadow on your face I hold it to the light But nothing comes clear A moment I remember In an unfamiliar year [Outro] The rain has blurred the window The ink is holding on
팝 · R&B
Still Ordering Two
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 반복되는 일렉트릭 피아노 모티프와 베이스 진입을 중심으로 재구성했습니다.
- 보컬 찹이 영어 가사 전체 문장을 끊지 않도록 제한했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: Still Ordering Two. Genre: Contemporary R&B / Mandopop Ballad. Tempo: 88 BPM. Key: B-flat major. Lead: One smooth, breathy male tenor. Use fluid English R&B phrasing and small melismatic turns, with vulnerable quiet verses and stronger chorus projection. Keep self-harmonies in thirds and sixths behind the lead during choruses and bridge. Arrangement: Electric piano supplies the recurring melancholic motif from start to finish. Introduce pads in verse one and swell them into the pre-chorus. Bring clean synth bass in at the first chorus. Add only a small number of new synth layers in the second half. Groove: Programmed soft kick and a crisp snare; leave verse hats sparse. Add tighter hat rolls and backbeat claps in choruses. Reduce the bridge to a heartbeat-like kick before restoring the final groove at the same tempo. Space and ending: Rounded sub-bass must not cover the electric-piano harmony or words. Keep tuning subtle and doubles controlled. Put filtered vocal fragments only in instrumental gaps; do not chop complete lyric lines. Let the last hook remain emotionally unresolved while pads and piano recede into a short atmospheric tail. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] I say the order before I think Two paper cups, your usual drink The girl looks past me at the door I say that you will come, once more [Pre-Chorus] My mouth remembers what my hands Have not yet learned to do [Chorus] I still order two When only one of us is here One for the habit One for the empty chair I let the steam go cold I let the minutes disappear I still order two When only one of us is here [Verse 2] Your cup has nothing written on it I nearly tell her how to spell Outside the buses keep arriving I cannot make myself leave yet [Chorus] I still order two When only one of us is here One for the habit One for the empty chair I let the steam go cold I let the minutes disappear I still order two When only one of us is here [Bridge] I know the door is only closing I know the night will not explain I have no message left to send you Just a hand around the same old pain [Chorus] I still order two When only one of us is here One for the habit One for the empty chair I let the steam go cold I let the minutes disappear I still order two When only one of us is here [Outro] Two cups beneath the window One coat against the rain
영어 가사 · 제작 메모
혼자서도 두 잔을 주문하는 습관에 남은 관계를 다룬 R&B 발라드.
- 입력 템포
- 88 BPM
- 입력 조성
- B-flat major
아래는 제작에 사용한 가사입니다.
[Verse 1] I say the order before I think Two paper cups, your usual drink The girl looks past me at the door I say that you will come, once more [Pre-Chorus] My mouth remembers what my hands Have not yet learned to do [Chorus] I still order two When only one of us is here One for the habit One for the empty chair I let the steam go cold I let the minutes disappear I still order two When only one of us is here [Verse 2] Your cup has nothing written on it I nearly tell her how to spell Outside the buses keep arriving I cannot make myself leave yet [Chorus] I still order two When only one of us is here One for the habit One for the empty chair I let the steam go cold I let the minutes disappear I still order two When only one of us is here [Bridge] I know the door is only closing I know the night will not explain I have no message left to send you Just a hand around the same old pain [Chorus] I still order two When only one of us is here One for the habit One for the empty chair I let the steam go cold I let the minutes disappear I still order two When only one of us is here [Outro] Two cups beneath the window One coat against the rain
일렉트로닉
Pixel Cat on the Run
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 고속 구간의 발음과 후렴 훅을 우선하고 경쟁하는 리드 멜로디를 줄였습니다.
- 글리치 효과를 전환 구간으로 한정하고 급작스러운 엔딩 의도는 유지했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: Pixel Cat on the Run. Genre: J-Pop / Hyperpop / Electronic Dance. Tempo: 176 BPM. Key: F major. Lead: One bright, youthful female soprano with a slightly nasal edge. Use bouncy articulated English verse phrases and a singable sustained chorus hook. Keep the delivery cheerful. Tight thirds and octave doubles support choruses; short ad-libs may use only words already in the supplied lyrics. Arrangement: Introduce the bright saw-wave hook immediately. Keep side-chained sub-bass locked to the kick. Use digital-piano or clavinet-like stabs in pre-choruses and light shimmering pads behind the main hook. Make the chorus denser through a few focused layers, not many competing lead melodies. Groove: Fast four-on-the-floor electronic kick, sharp snare and rolling hats at the stated tempo. Use compact snare rolls for transitions. Simplify bridge percussion briefly without dropping the pulse, then bring back the final energetic chorus. Space and ending: Keep the main vocal intelligible above bright synths. Place glitches, laser-like accents and short pitch stutters in transition gaps instead of fragmenting every sung line. Maintain playful energy and finish with one coordinated abrupt accent; do not add a long fade. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Intro] Tick, tick, Monday Not this time! [Verse 1] Nine tiny lives On a loading screen A clock with claws And a calendar machine Run the same lane Turn the same wheel I found a loose seam Underneath the steel [Pre-Chorus] Blink, bend, spring Change the map Slip through the gap No looking back [Chorus] One small paw One big leap Monday cannot Put me back to sleep Pixel cat On the run Catch my tail I am already gone [Verse 2] Ride the blue rail Skip the red light Land on a cloud With a neon kite Coins in the gutter Stars in the drain Shake out my whiskers And jump again [Chorus] One small paw One big leap Monday cannot Put me back to sleep Pixel cat On the run Catch my tail I am already gone [Bridge] For one small second The whole sky waits I hear my heartbeat Then I hit the gate [Chorus] One small paw One big leap Monday cannot Put me back to sleep Pixel cat On the run Catch my tail I am already gone [Outro] Jump the wall Go!
영어 가사 · 제작 메모
달리는 픽셀 고양이를 주제로 한 J-Pop·하이퍼팝 제작.
- 입력 템포
- 176 BPM
- 입력 조성
- F major
아래는 제작에 사용한 가사입니다.
[Intro] Tick, tick, Monday Not this time! [Verse 1] Nine tiny lives On a loading screen A clock with claws And a calendar machine Run the same lane Turn the same wheel I found a loose seam Underneath the steel [Pre-Chorus] Blink, bend, spring Change the map Slip through the gap No looking back [Chorus] One small paw One big leap Monday cannot Put me back to sleep Pixel cat On the run Catch my tail I am already gone [Verse 2] Ride the blue rail Skip the red light Land on a cloud With a neon kite Coins in the gutter Stars in the drain Shake out my whiskers And jump again [Chorus] One small paw One big leap Monday cannot Put me back to sleep Pixel cat On the run Catch my tail I am already gone [Bridge] For one small second The whole sky waits I hear my heartbeat Then I hit the gate [Chorus] One small paw One big leap Monday cannot Put me back to sleep Pixel cat On the run Catch my tail I am already gone [Outro] Jump the wall Go!
팝 · R&B
My Weekend Back
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 기타 리프를 끝까지 중심 모티프로 유지하도록 압축했습니다.
- 긴 가사 문장을 유지하며 보컬 찹과 딜레이를 전환·문장 끝에만 배치했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: My Weekend Back. Genre: Contemporary Pop / Electronic R&B. Tempo: 95 BPM. Key: D major. Lead: One clear female mezzo-soprano. Begin with conversational, slightly breathy English phrases and small melodic turns. Let chorus delivery become declarative and resonant. Increase third-and-octave self-harmony density only toward the final refrain. Arrangement: A clean plucked electric-guitar riff remains the central motif. Keep atmospheric pads soft in verses. Add sub-bass in verse one and brighter electric-piano chords in the pre-chorus. Build choruses with a focused combination of guitar, keyboards and bass rather than replacing the motif with unrelated synth leads. Groove: Programmed kick and snare/clap, sparse verse hats and a steadily building pre-chorus. Expand to a four-on-the-floor-inspired chorus groove with open hats. Reduce density in the bridge, then return to the confident final pulse. Space and ending: Keep a centered readable vocal above the pumping rhythm. Restrict vocal chops to transitions, preserve complete sung lines, and use delay mainly at phrase endings. Move from inward tension to regained confidence, then end on a resolved refrain and a controlled lingering tail. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] The phone lights up before the kettle Another favor, another ride I say yes before the question And put my own small plans aside [Pre-Chorus] I used to call it keeping peace But never kept a piece for me [Chorus] This little stretch of time is mine again Not a blank for someone else's pen I can dance with nowhere left to be Let the hours come back to me [Verse 2] Today I take the road by water And stop before the market shuts I buy the flowers I kept passing Without a reason, just because [Chorus] This little stretch of time is mine again Not a blank for someone else's pen I can dance with nowhere left to be Let the hours come back to me [Bridge] I still feel the old familiar worry When somebody waits for my reply But love can leave a little distance And I can let a moment by [Chorus] This little stretch of time is mine again Not a blank for someone else's pen I can dance with nowhere left to be Let the hours come back to me [Outro] The screen goes dark beside the window The room has room for me
영어 가사 · 제작 메모
자신의 주말을 되찾는 이야기를 전자 R&B와 팝으로 구성.
- 입력 템포
- 95 BPM
- 입력 조성
- D major
아래는 제작에 사용한 가사입니다.
[Verse 1] The phone lights up before the kettle Another favor, another ride I say yes before the question And put my own small plans aside [Pre-Chorus] I used to call it keeping peace But never kept a piece for me [Chorus] This little stretch of time is mine again Not a blank for someone else's pen I can dance with nowhere left to be Let the hours come back to me [Verse 2] Today I take the road by water And stop before the market shuts I buy the flowers I kept passing Without a reason, just because [Chorus] This little stretch of time is mine again Not a blank for someone else's pen I can dance with nowhere left to be Let the hours come back to me [Bridge] I still feel the old familiar worry When somebody waits for my reply But love can leave a little distance And I can let a moment by [Chorus] This little stretch of time is mine again Not a blank for someone else's pen I can dance with nowhere left to be Let the hours come back to me [Outro] The screen goes dark beside the window The room has room for me
팝 · R&B
Borrowed Moonlight
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 162 BPM 입력을 느린 발라드로 바꾸지 않고 그대로 유지했습니다.
- 몽환적 공간감과 가사 명료도가 충돌하지 않도록 리버브·딜레이 위치를 정리했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: Borrowed Moonlight. Genre: Indie Pop / Dream Pop. Tempo: 162 BPM. Key: B-flat major. Lead: One ethereal female soprano. Use intimate lower-register English verses and soaring sustained chorus notes with controlled vibrato. Supporting third-and-sixth harmonies broaden choruses; the lead must remain identifiable through the layers. Arrangement: Keep chorus-treated clean guitar arpeggios as the harmonic center from opening to ending. Bring warm pads and rounded synth bass into verse one; grow their width in choruses. Give the bridge a light shimmering synth texture, then restore the final guitar-led refrain. Groove: Maintain the stated 162 BPM four-on-the-floor pulse, snare on two and four, and restrained closed verse hats. Open hats and crashes enlarge choruses. Reduce the bridge to kick and soft shaker; do not reinterpret the tempo as a slower ballad. Space and ending: Aim for spacious dream-pop depth without burying English lyrics in long echoes. Keep bass controlled, reserve long vocal tails for gaps, and let guitar, pads and harmonies occupy distinct layers. Dismantle the outro gradually until only reverberant guitar and the last vocal echo remain. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] You said to come when work was over I watched the last train leave the town Then took my bicycle by water And let the empty road unwind [Chorus] I ride on borrowed moonlight toward your door The sea keeps time beneath the turning wheels Your light is all I need to see the shore Tonight I let you know the way I feel [Verse 2] A ribbon of reflected silver Slips underneath the harbor chain I pass the boats asleep together And leave the quiet miles behind [Chorus] I ride on borrowed moonlight toward your door The sea keeps time beneath the turning wheels Your light is all I need to see the shore Tonight I let you know the way I feel [Bridge] I slow beside the last street corner Still shy enough to count to three You open up before I knock And all the night comes in with me [Chorus] I ride on borrowed moonlight toward your door The sea keeps time beneath the turning wheels Your light is all I need to see the shore Tonight I let you know the way I feel [Outro] Borrowed moonlight Carry me a little more
영어 가사 · 제작 메모
빌려 온 달빛 아래의 감정을 담은 인디 팝·드림 팝 제작.
- 입력 템포
- 162 BPM
- 입력 조성
- B-flat major
아래는 제작에 사용한 가사입니다.
[Verse 1] You said to come when work was over I watched the last train leave the town Then took my bicycle by water And let the empty road unwind [Chorus] I ride on borrowed moonlight toward your door The sea keeps time beneath the turning wheels Your light is all I need to see the shore Tonight I let you know the way I feel [Verse 2] A ribbon of reflected silver Slips underneath the harbor chain I pass the boats asleep together And leave the quiet miles behind [Chorus] I ride on borrowed moonlight toward your door The sea keeps time beneath the turning wheels Your light is all I need to see the shore Tonight I let you know the way I feel [Bridge] I slow beside the last street corner Still shy enough to count to three You open up before I knock And all the night comes in with me [Chorus] I ride on borrowed moonlight toward your door The sea keeps time beneath the turning wheels Your light is all I need to see the shore Tonight I let you know the way I feel [Outro] Borrowed moonlight Carry me a little more
시네마틱
The Walls Remember Our Names
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 독창·합창·관현악의 역할을 분리해 중심 보컬을 명확히 했습니다.
- 큰 타격음은 전환과 절정으로 제한하고 합주 전체의 종결을 구체화했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: The Walls Remember Our Names. Genre: Cinematic Orchestral / Epic Choral. Tempo: 143 BPM. Key: D minor. Lead: One resonant operatic male tenor-baritone with precise English diction. A large mixed choir supports the melody with octaves and chordal parts, alternating clear rhythmic responses and sustained harmony. Keep the soloist distinguishable at the largest peaks. Arrangement: Begin with quiet grand piano, symphonic strings and restrained low support. Grow from legato phrases into string ostinatos. Introduce brass at the first major buildup and reinforce chorus chords. Use choir, strings and brass as the principal voices; atmospheric pads and synth sub-bass stay supportive. Groove: Sparse timpani and taiko-like downbeats develop into a marching kick-and-snare pattern at the stated tempo. Reserve tom rolls, metallic impacts and crashing cymbals for transitions and climaxes. Space and ending: Use one coherent concert-hall space rather than independent long reverbs on every part. Lower brass, impacts and low bass under important lyric attacks. Build size through orchestration and choir entries, not constant maximum density. Sustain the final full-ensemble chord into a deliberate resolved finish. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Intro] Every name Every name [Verse 1] I found the letters under ivy Where no one stopped to read A mason's mark, a mother's promise A hand that planted every seed [Chorus] These walls will carry every name we lost Every name No storm can take the voices from these stones Every name Let every door be opened to the dawn We belong The ones they tried to silence now sing on We belong [Verse 2] We bring no crown to claim the gateway No banner bought with gold We bring the names our elders gave us And all the stories left untold [Chorus] These walls will carry every name we lost Every name No storm can take the voices from these stones Every name Let every door be opened to the dawn We belong The ones they tried to silence now sing on We belong [Bridge] One voice begins beneath the arch Another answers from the square Until the city's empty heart Can hear its people everywhere [Chorus] These walls will carry every name we lost Every name No storm can take the voices from these stones Every name Let every door be opened to the dawn We belong The ones they tried to silence now sing on We belong [Outro] Every name We belong Our names live on
영어 가사 · 제작 메모
우리의 이름을 기억하는 벽을 주제로 한 오케스트라·합창 제작.
- 입력 템포
- 143 BPM
- 입력 조성
- D minor
아래는 제작에 사용한 가사입니다.
[Intro] Every name Every name [Verse 1] I found the letters under ivy Where no one stopped to read A mason's mark, a mother's promise A hand that planted every seed [Chorus] These walls will carry every name we lost Every name No storm can take the voices from these stones Every name Let every door be opened to the dawn We belong The ones they tried to silence now sing on We belong [Verse 2] We bring no crown to claim the gateway No banner bought with gold We bring the names our elders gave us And all the stories left untold [Chorus] These walls will carry every name we lost Every name No storm can take the voices from these stones Every name Let every door be opened to the dawn We belong The ones they tried to silence now sing on We belong [Bridge] One voice begins beneath the arch Another answers from the square Until the city's empty heart Can hear its people everywhere [Chorus] These walls will carry every name we lost Every name No storm can take the voices from these stones Every name Let every door be opened to the dawn We belong The ones they tried to silence now sing on We belong [Outro] Every name We belong Our names live on
일렉트로닉
A Throne of Neon
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 슈퍼소우·롤링 베이스·보컬 훅의 역할을 나눠 드롭 지시를 간결하게 했습니다.
- 킥·베이스의 저역 충돌과 과도한 전곡 보컬 게이팅을 피하도록 명시했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: A Throne of Neon. Genre: Trance / Hard Dance. Tempo: 140 BPM. Key: C minor. Lead: One clear male tenor with slight grit, melodic rather than harsh or screamed. Keep confident English verses and a short declarative chorus hook. Self-harmonies in lower octaves and thirds thicken peak sections; chopped fragments use only supplied lyric words and occur in instrumental gaps. Arrangement: Start with the kick and slow-attack pads. Introduce arpeggios in buildups, then a wide supersaw lead and distorted rolling bass at the first drop. Keep a recessed pluck counter-melody in verse spaces. Return to the same recognizable drop motif after a melodic breakdown. Groove: Relentless 140 BPM four-on-the-floor kick, sixteenth-note hats, compact snare rolls and tom fills before drops. Keep kick and rolling bass tightly interlocked with controlled sidechain movement; do not let both overload the low end. Space and ending: Bright leads and wide pads surround a centered readable vocal. Use gated effects on selected drop phrases, not the whole song. Reserve sweeps and granular details for transitions and breakdown. After the final climax, filter the high layers away into pads and the fading hook echo. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Intro] Let the city see me I am here [Verse 1] A thousand signs above the station A thousand names that are not mine I used to wait beside the doorway For someone else to give a sign [Pre-Chorus] The waiting is over The signal is mine [Chorus] I stand in light I learned to make myself I need no crown from anybody else Let the whole horizon hear me now I am here, and I will not bow [Instrumental] [Verse 2] I set my feet beneath the towers And let the empty windows shine No throne can tell me what I carry No gate can take away my time [Chorus] I stand in light I learned to make myself I need no crown from anybody else Let the whole horizon hear me now I am here, and I will not bow [Bridge] Under all the lights and echoes There is still a pulse I know I do not have to rise above you I just need a place to grow [Chorus] I stand in light I learned to make myself I need no crown from anybody else Let the whole horizon hear me now I am here, and I will not bow [Outro] I stand in light I am here
영어 가사 · 제작 메모
네온의 왕좌를 주제로 한 트랜스·하드 댄스 제작.
- 입력 템포
- 140 BPM
- 입력 조성
- C minor
아래는 제작에 사용한 가사입니다.
[Intro] Let the city see me I am here [Verse 1] A thousand signs above the station A thousand names that are not mine I used to wait beside the doorway For someone else to give a sign [Pre-Chorus] The waiting is over The signal is mine [Chorus] I stand in light I learned to make myself I need no crown from anybody else Let the whole horizon hear me now I am here, and I will not bow [Instrumental] [Verse 2] I set my feet beneath the towers And let the empty windows shine No throne can tell me what I carry No gate can take away my time [Chorus] I stand in light I learned to make myself I need no crown from anybody else Let the whole horizon hear me now I am here, and I will not bow [Bridge] Under all the lights and echoes There is still a pulse I know I do not have to rise above you I just need a place to grow [Chorus] I stand in light I learned to make myself I need no crown from anybody else Let the whole horizon hear me now I am here, and I will not bow [Outro] I stand in light I am here
힙합
Built with Empty Hands
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 디지털 대나무 플루트 계열 신스라는 원래 악기 조건을 보존했습니다.
- 랩 문장의 자음·호흡·완결성을 우선하고 808 슬라이드와 킥을 분리했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: Built with Empty Hands. Genre: Hip-Hop / Trap with Eastern Influences. Tempo: 143 BPM. Key: E minor. Lead: One assertive male baritone with a slight nasal edge. Deliver the English rap with precise consonants and clear syncopation. Preserve complete lines and breaths between them. Hooks may use melodic inflection and stacked self-chant responses, without switching to a contrasting singer. Arrangement: Keep a digitally synthesized bamboo-flute-like lead as the signature motif; do not replace it with acoustic flute. Bring sliding distorted 808 bass in after the intro. Use pads behind verses and short percussive synth stabs at chorus transitions. Groove: Tight trap kick, snare/clap backbeat and selected triplet hat rolls at the stated 143 BPM. Add open hats and compact snare fills in hooks. Separate kick transients from 808 slides so the rhythmic attacks remain distinct. Space and ending: Lead rap stays in front, with short delay accents only on phrase endings or supplied-word ad-libs. Keep the motif recognizable through the bridge; place chopped fragments and glitch stutters between full lines. Sustain commanding energy into a decisive, confident fade without adding unrelated vocal phrases. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Intro] Hands open Stand firm [Verse 1] Came through the yard with a bag and a worn-out sole No crest on the gate, just a crack in the old stone Swept that floor till the dust made a map of the cold Put a mark on the wall for the hours nobody sold Practice in the rain, put the patience in the pattern Every little slip made the next move matter Never had a master key, I learned the latch by hand Now the door swings wide for the next one who can stand [Chorus] Empty hands, full intent Every mark is time well spent No borrowed name, no bought command We built this place with empty hands [Post-Chorus] Stand firm Hands open [Verse 2] First came a neighbor with a lantern and a length of cord Then came the friends who had slept on a colder floor Nobody kneels for a seat, nobody pays for a name We put the work in the circle and share what we gain I keep the rhythm precise, put the breath in the turn Teach what I know, leave a space for the things I learn No legend in a book could have handed me this ground It was step after step till the whole yard found its sound [Chorus] Empty hands, full intent Every mark is time well spent No borrowed name, no bought command We built this place with empty hands [Bridge] Keep the line, keep the time, let the next voice land Let the old stone ring when we make our stand No claim to your life, no chain on your name A room full of practice, a circle full of flame [Chorus] Empty hands, full intent Every mark is time well spent No borrowed name, no bought command We built this place with empty hands [Outro] Hands open We stand
영어 가사 · 제작 메모
빈손에서 시작한 이야기를 힙합·트랩으로 구성.
- 입력 템포
- 143 BPM
- 입력 조성
- E minor
아래는 제작에 사용한 가사입니다.
[Intro] Hands open Stand firm [Verse 1] Came through the yard with a bag and a worn-out sole No crest on the gate, just a crack in the old stone Swept that floor till the dust made a map of the cold Put a mark on the wall for the hours nobody sold Practice in the rain, put the patience in the pattern Every little slip made the next move matter Never had a master key, I learned the latch by hand Now the door swings wide for the next one who can stand [Chorus] Empty hands, full intent Every mark is time well spent No borrowed name, no bought command We built this place with empty hands [Post-Chorus] Stand firm Hands open [Verse 2] First came a neighbor with a lantern and a length of cord Then came the friends who had slept on a colder floor Nobody kneels for a seat, nobody pays for a name We put the work in the circle and share what we gain I keep the rhythm precise, put the breath in the turn Teach what I know, leave a space for the things I learn No legend in a book could have handed me this ground It was step after step till the whole yard found its sound [Chorus] Empty hands, full intent Every mark is time well spent No borrowed name, no bought command We built this place with empty hands [Bridge] Keep the line, keep the time, let the next voice land Let the old stone ring when we make our stand No claim to your life, no chain on your name A room full of practice, a circle full of flame [Chorus] Empty hands, full intent Every mark is time well spent No borrowed name, no bought command We built this place with empty hands [Outro] Hands open We stand
시네마틱
The Last Knot
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 二胡·琵琶·古筝의 개별 역할과 등장 순서를 분명히 했습니다.
- 인트로의 자유로운 호흡과 본곡의 118 BPM 맥박을 구분했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: The Last Knot. Genre: Cinematic Orchestral / Chinese Traditional Fusion. Tempo: 118 BPM. Key: E-flat minor. Lead: One clear female soprano. Begin with precisely articulated, lightly breathy English verses and grow into sustained operatic chorus notes. Keep self-harmonies below the principal melody and reserve the strongest projection for the final peak. Arrangement: Solo erhu states the opening motif over low grand piano with a brief free-feeling opening. Establish the stated pulse for the song body. Add soft orchestral strings in verse one, then pipa and guzheng arpeggios in pre-choruses. Strings broaden the chorus while erhu, pipa and guzheng remain distinct rather than becoming one generic synth layer. Groove: Bring deep toms and soft cymbal rolls in gradually. Use heavier kick pulses and martial crash accents in choruses. Withdraw percussion and dense bass in the bridge so erhu, piano and restrained strings can return before the final orchestral chorus. Space and ending: Keep the English lead centered and consonants clear. Use a coherent hall with controlled tails; risers and distant bells only bridge section boundaries. Return to the erhu motif and quiet piano in the outro, leaving a deliberate reflective final decay. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] You tied a ribbon to my sleeve Before the road divided I kept it through the changing leaves And every choice I hid in [Pre-Chorus] Now the thread has worn so thin I have to let the daylight in [Chorus] I untie the last knot But I do not let love go Your memory can travel with me Without a rope around my soul I can keep the tenderness And choose the road I know [Verse 2] I fold the ribbon in my pocket And leave the doorway open wide The hills are waiting past the river There is no one else to decide [Chorus] I untie the last knot But I do not let love go Your memory can travel with me Without a rope around my soul I can keep the tenderness And choose the road I know [Bridge] The promise is not broken Because I change its shape I carry what we gave each other And let the rest find grace [Chorus] I untie the last knot But I do not let love go Your memory can travel with me Without a rope around my soul I can keep the tenderness And choose the road I know [Outro] The ribbon rests beside my heart My hand is free
영어 가사 · 제작 메모
마지막 매듭을 주제로 중국 전통 악기와 오케스트라의 결합을 요청.
- 입력 템포
- 118 BPM
- 입력 조성
- E-flat minor
아래는 제작에 사용한 가사입니다.
[Verse 1] You tied a ribbon to my sleeve Before the road divided I kept it through the changing leaves And every choice I hid in [Pre-Chorus] Now the thread has worn so thin I have to let the daylight in [Chorus] I untie the last knot But I do not let love go Your memory can travel with me Without a rope around my soul I can keep the tenderness And choose the road I know [Verse 2] I fold the ribbon in my pocket And leave the doorway open wide The hills are waiting past the river There is no one else to decide [Chorus] I untie the last knot But I do not let love go Your memory can travel with me Without a rope around my soul I can keep the tenderness And choose the road I know [Bridge] The promise is not broken Because I change its shape I carry what we gave each other And let the rest find grace [Chorus] I untie the last knot But I do not let love go Your memory can travel with me Without a rope around my soul I can keep the tenderness And choose the road I know [Outro] The ribbon rests beside my heart My hand is free
포크 · 컨트리
A Scent Beyond the Map
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 단독 보컬·드럼 없음·전자 질감 없음이라는 핵심 조건을 먼저 명시했습니다.
- 현악의 밀도 변화와 피아노·저현의 리듬 역할을 구체화했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: A Scent Beyond the Map. Genre: Contemporary Folk / Chamber Pop. Tempo: 120 BPM. Key: B-flat major. Lead: One warm male baritone, measured and precise in English. Keep the delivery thoughtful and legato rather than aggressive or heavily belted. Use a single lead vocal throughout: no backing singers, doubled vocals or stacked harmonies. Arrangement: Rounded piano supplies flowing arpeggios and chord support from opening to ending. Violins, violas and cellos enter immediately with long tones and short melodic responses. Broaden string motion through the middle choruses and the written instrumental section, then reduce it toward the outro. Double bass and low strings support, never dominate. Groove: No drum kit, percussion loop, electronic beat or impact hits. Piano articulation, bowed cello and double-bass motion carry the gentle 120 BPM pulse. Occasional pizzicato strings may add acoustic rhythmic detail. Space and ending: Keep a clean acoustic chamber image, voice and piano near the center, strings slightly wider. Use short natural room decay; no electronic pads or synthetic flourishes. Let the final English phrase settle over a restrained, resolved piano-and-string chord. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Verse 1] A drawer of cedar opens slowly Inside a room of numbered things The polished floor forgets the weather The wood remembers wind and spring [Chorus] No line on a map can hold what the air remembers No name on a street can tell me all it knows I follow the scent of a thousand passing summers To a place that only memory can show [Verse 2] The maker left no grand inscription Just patient marks beneath the grain I trace the curves of careful fingers And feel a distance lose its name [Chorus] No line on a map can hold what the air remembers No name on a street can tell me all it knows I follow the scent of a thousand passing summers To a place that only memory can show [Instrumental] [Verse 3] The map is folded in my pocket The room is wider than its walls A little breath of resin lingers And brings the hidden years to call [Chorus] No line on a map can hold what the air remembers No name on a street can tell me all it knows I follow the scent of a thousand passing summers To a place that only memory can show [Outro] I close the drawer with gentle fingers The fragrance follows me
영어 가사 · 제작 메모
지도 밖의 향기와 여정을 포크·챔버 팝으로 표현한 제작.
- 입력 템포
- 120 BPM
- 입력 조성
- B-flat major
아래는 제작에 사용한 가사입니다.
[Verse 1] A drawer of cedar opens slowly Inside a room of numbered things The polished floor forgets the weather The wood remembers wind and spring [Chorus] No line on a map can hold what the air remembers No name on a street can tell me all it knows I follow the scent of a thousand passing summers To a place that only memory can show [Verse 2] The maker left no grand inscription Just patient marks beneath the grain I trace the curves of careful fingers And feel a distance lose its name [Chorus] No line on a map can hold what the air remembers No name on a street can tell me all it knows I follow the scent of a thousand passing summers To a place that only memory can show [Instrumental] [Verse 3] The map is folded in my pocket The room is wider than its walls A little breath of resin lingers And brings the hidden years to call [Chorus] No line on a map can hold what the air remembers No name on a street can tell me all it knows I follow the scent of a thousand passing summers To a place that only memory can show [Outro] I close the drawer with gentle fingers The fragrance follows me
합창
Our Small Flame
개선 프롬프트 보기
개선 프롬프트 v1
다음 제작용원래 장르·템포·조성과 영어 가사는 유지하고 지시를 다시 정리했습니다. 현재 음원에 적용하지 않았습니다.
- 완전한 사람 목소리 편성 조건을 악기·비트박스 제외 지시로 명확히 했습니다.
- 허밍과 무가사 모음의 위치, 합창의 진입·퇴장 순서를 제한했습니다.
Generate a chord-annotated ABC transcription, then generate music with codec tokens from the given conditions. [Tags] Song: Our Small Flame. Genre: A Cappella Choral Folk. Tempo: 75 BPM. Key: C minor. Lead and ensemble: One gentle male tenor-baritone sings the supplied English melody. A mixed choir supplies every other melodic, harmonic and bass role. Keep the lead identifiable through the ensemble, with connected choral vowels and coordinated consonant releases. Arrangement: Strictly voices only. No piano, strings, guitar, synth, sub-bass instrument, drums, percussion or beatboxing. Begin with soft humming, then introduce a small inner-voice group in verse one. Add vocal basses and upper harmonies in choruses. Reduce the second verse, widen chord spacing in the bridge, and save the fullest close harmony for the final chorus. Groove: Maintain a gentle 75 BPM choral pulse through vocal phrasing, breaths and coordinated entrances, not an instrumental beat. Wordless humming and sustained vowel responses are allowed only in the opening, bridge responses and closing support; all intelligible lyrics remain English. Space and ending: Place the ensemble in one warm stone-hall acoustic, with the lead slightly nearer. Preserve natural crescendos rather than holding a constant loud level. Withdraw upper voices first, then vocal bass support, leaving the last lead phrase and a clean shared hall decay. Language and form: English only. Sing the supplied lyrics in their written order, including each written repetition, and follow their section labels. Do not invent extra verses, replace the lead with an instrumental melody, or change the lyric language. Keep a recognizable chorus melody across its repetitions. Let arrangement and vocal intensity create section contrast; avoid constantly adding competing layers or masking words with effects. [Lyrics] [Intro] Mm [Verse 1] The stone is cold beneath my hand Your empty chair is where I stand A candle leans against the air I bring the words I could not share [Chorus] We keep one small flame between our hands A tender light no lonely heart commands We cannot make the missing come again But no one has to hold this grief alone [Verse 2] Another breath beside my own A quiet name against the stone The room is wide, the night is deep Together we have watch to keep [Chorus] We keep one small flame between our hands A tender light no lonely heart commands We cannot make the missing come again But no one has to hold this grief alone [Bridge] No need to speak No need to mend Stay through the dark Until its end [Chorus] We keep one small flame between our hands A tender light no lonely heart commands We cannot make the missing come again But no one has to hold this grief alone [Outro] Go gently now The light is low I hold your name And let you go
영어 가사 · 제작 메모
함께 지키는 작은 불꽃을 주제로 한 아카펠라·합창 포크 제작.
- 입력 템포
- 75 BPM
- 입력 조성
- C minor
아래는 제작에 사용한 가사입니다.
[Intro] Mm [Verse 1] The stone is cold beneath my hand Your empty chair is where I stand A candle leans against the air I bring the words I could not share [Chorus] We keep one small flame between our hands A tender light no lonely heart commands We cannot make the missing come again But no one has to hold this grief alone [Verse 2] Another breath beside my own A quiet name against the stone The room is wide, the night is deep Together we have watch to keep [Chorus] We keep one small flame between our hands A tender light no lonely heart commands We cannot make the missing come again But no one has to hold this grief alone [Bridge] No need to speak No need to mend Stay through the dark Until its end [Chorus] We keep one small flame between our hands A tender light no lonely heart commands We cannot make the missing come again But no one has to hold this grief alone [Outro] Go gently now The light is low I hold your name And let you go